Mangte Chungneijang Mary Kom came into the limelight of the Indian media
after she won her fifth World Amateur Boxing Championship; prior to that India
was ignorant of her existence. India then went back in time to see for
themselves who Mary Kom was. And what they saw they liked. They saw an
opportunity to exploit the success that this lone figure in the female boxing
field has achieved, having been betrothed with the title ‘Magnificent Mary’. The exploitation was complete when it was
announced after her bronze win at the London Olympics in 2012, that Bollywood
is eager to tell her story to the larger audience. What Bollywood calls
storytelling, I call exploitation. At least Bhag
Milkha Bhag was made when Milkha Singh had retired; Mary Kom is still
pretty much in the business of boxing and preparing for the upcoming Rio
Olympics in 2016. I don’t see the point at all.
Mary Kom is a poorly
researched, poorly directed movie. It hardly bears any resemblance to her early
life. Her parents were share croppers, it was true but life was not that harsh
as it was portrayed in the film. Also, she had tremendous interest in
athletics, before she decided to focus single mindedly on boxing. There is also
no account of her being a hot head and picking up fights at random with guys.
If you are making a ‘biopic’ please get the facts right, Omung Kumar!
Priyanka Chopra is the only good thing about the movie. Her rippling
biceps definitely shows the amount of hard work she has put in to get into the
shoes of this famed boxer. Apart from the physical side to the role, she also
had to play a mother to twins, whom she leaves behind to get back in the ring.
I have no complains about her portrayal. There were very authentic moments, we
could see the doubts creeping in when she has to choose to leave behind her infant
sons and go back to train.
And now the most important part of the movie, which I detested to the
core was Priyanka Chopra’s diction. But before that let me venture out and
appreciate the efforts of Kumar, who tried to ruffle the feathers of the India
Boxing Federation by commenting on how things run and what hurdles and hoops
athletes have to jump through just so they can represent their country. The incident may or may not be true in Mary
Kom’s life, but we can be sure that incidents like these do happen – unwanted
sexual advances, threatening to pull athletes out if they don’t comply,
humiliating them, making use of their priviledges. Okay, back to the part that
thoroughly irritated me was the diction of the titular character. When Mary is
forced to read out the apology letter in front of an audience, she says ‘phedarasion’. Yes, I tried to phonetically match her
pronunciation. What makes the script writer think that Priyanka should not
pronounce it as it is pronounced – federation. Whatever might the real Mary’s
diction be, you cannot force it on a character onscreen. This is racism! And
this is where and how it starts. Before taking shape into something that we
can’t control. Also talk about poor makeup! Priyanka’s fake painted freckles
were such an eye sore!
We need more than the petty and cheap histrionics and theatrics that
Kumar had made use of to tell the story of Magnificent Mary!
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