Mardaani discloses
certain skeletons in the closet that would have best stayed in the closet so as
not to affect our conscience. But too bad, Pradeep Sarkar decided to take a
stand in regard to a growing issue that is plaguing India at large: child sex
trafficking. Sarkar backs up his movie with authentic figures – every eight
minutes, a child goes missing in India; UNICEF reports that almost 1.2 million
children from India are trafficked for sexual exploitation every year. Those are
some staggering numbers, especially if we are at all worried about the ‘future’
of our nation. With a backdrop of the growing child sex and drug trafficking,
Sarkar makes Mardaani about a tough
female cop, who makes it her mission to find her surrogate daughter, who had
been kidnapped and forced into prostitution.
Rani Mukheji
plays Shivani Shivaji Roy, a no-nonsense cop, who holds her stead easily in a
male dominated world. Her colleagues look up to her and support her, which is
refreshing to see for a change; they have their ‘ma’am’s’ back at all costs.
But please don’t be rash and take this to be a sign of a feminist film; instead
be a little open minded and not bring in gender at all for the protagonist. As
a celebrated police officer of the Mumbai crime branch, she is married to a
doctor, played by Jishhu Sengupta, and is a mother to her niece, Meera. When
Pyari, a young girl who is the same age as Meera and who is Shivani’s surrogate
daughter, whom she had saved from a life of hardship of begging around in the
railway station, goes missing, Shivani stumbles across a nefarious racket of
child sex trafficking. Thus begins the thrilling chase of the good and the
bad.
Mukherji, coming
back from a hiatus, packs a powerful performance. She has no qualms in slapping
the shit out of a goon when he threatens her to leave them alone and continue
with their riot. She has worked hard for the role which shows in the actions
sequences. As a fierce, gutsy police officer, she is not surprised when the
kingpin of the sex trade operation contacts her over the phone and warns her to
stay back. Instead she makes light of the situation by calling him the “under
19 ke 12th man.” She practices kickboxing, yoga and keeps herself
fit and at top shape so that she can chase killers trying to evade arrest on
motorbikes. She is equally at ease with her colleagues cracking jokes about
their boss – “Arre koi boss ki biwi ko shopping kara do yaar!”
Shivani Roy is
the typical character of tough cop, we have seen plenty of them before. The
only aspect that I felt was a little overdone was how Mukherji pulled up her
sleeves frequently throughout the movie in order to accentuate her swagger;
that was unnecessary. Mukerji carries Mardaani on her shoulders, with some
support from Tahir Bhasin, who plays the cool, suave mastermind of the gang. I
am glad that someone is doing their bit in order to bring awareness about an
issue of this huge magnitude in the limelight. All hail Mardaani!
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